THE BIG ISSUE - LESSON 4: REPRESENTATION

-
MESSAGES + VALUES:
//Editorial content is often critical of big businesses and banking.
//Champions the political cause, and the role of the individual in society.
//Often focuses on personal and social issues in their representations of celebrities.
//Front covers tend to convey more left wing beliefs in their representations of ideologies.
//It could be argued that the Big Issue privileges a white male perspective owing to an under-representation of people of colour and women on covers where an individual is the focus.
//However, ethnic minorities and women are represented positively when featured - countertypes often used.
//The Big Issue challenges stereotypes in it's representation of excluded groups in society, e.g. featuring homeless people and vendors in a positive and often celebratory way.

 "We've focused on stories and voices that really tell an outsider story, important voices that are rarely properly heard in the media. Hitting 25th anniversary led me to look again at what the Big Issue was at launch, so we've gone back to early approaches of a certain stridency, a more agitating voice. And there is plenty of news around to get teeth into."
- Paul McNamee, Editor 2017

Comments

Post a Comment

Popular posts from this blog

LFTVD - QUESTION 3 PRACTICE (CODES + CONVENTIONS)

-
Image
'THE DIFFERENCES IN THE CODES AND CONVENTIONS OF LONG FORM TELEVISION DRAMAS REFLECT THE DIFFERENT VALUES, ATTITUDES AND BELIEFS OF THE AUDIENCES THAT CONSUME THEM.' HOW FAR DO YOU AGREE WITH THIS STATEMENT? The contrasting nature of codes and conventions within the LFTVD genre very much stems from the need to reflect the different values, attitudes and beliefs of the consumer in order to engage and target individuals personally, regardless of whether the show is for a global mass audience or niche national one.  Netflix, a large international media company, has to extend the codes and conventions in order to reflect audiences on a global scale, making sure consumers can connect with the product regardless of geography. Whereas, smaller PSBs like DR only need to appeal to it's niche nordic audience so codes and conventions will differ. Where Netflix has a need to appeal to a global audience range in order to increase it's market share, DR is projecting to a niche audien...
Read more

GENDER PERFORMATIVITY - JUDITH BUTLER

-
KEY IDEAS: // Gender is created in how we perform our gender roles - there is no essential gender identity behind these roles, it is created in the performance. // Performativity is not a singular act but a repetition and a ritual that becomes naturalised within the body. // Any feminism concerned only with masculinity and femininity excludes other forms of gender and sexuality. // This creates 'gender trouble' for those who don't fit heterosexual norms. // Butler is an important postmodern writer and has influenced queer theory - theory which deconstructs and aims to destabilise apparently fixed identities based on gender and sexualities.
Read more

STRANGER THINGS - LESSON 2: SCENE ANALYSIS

-
Image
SOUND ANALYSIS: There is a use of an 80s music sound bridge as a non-diegetic sound device. This acts as a transitional indicator of a changing setting in order to move the plot along. In the scene it helps to establish a safety in the Wheeler's home, contrasting later sound in the Byer's home, along with a safety when Will is with his friends whilst conforming to the historical 80s setting of the show. CAMERA ANGLE ANALYSIS: The use of a low-level POV shot from Mike's perspective helps to place Mrs Wheeler as a dominant figure over Mike in the scene. This establishes the coming of age genre in the plot and embeds the idea of a child vs parent ideology, placing the audience as mike. This further extends the TA to both people who grew up in the 80s and kids today, putting older viewers back into a child's perspective in order to view the show through the protagonist's (mike) eyes and put him in a relatable position. MISE-EN-SCENE ANALYSIS: The intertextual...
Read more